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My Favorite Memory
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You've selected:
My Favorite Memory
Sheetmusic to print
13 sheet music found
<
1
My Favorite Memory
My Favorite Memory
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Piano, Vocal and Guitar
#
Country
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Merle Haggard
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My Favorite Memory
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Hal Leonard - Digital
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - SKU: HX.1416064 By Merle Haggard. This edition: scorch. Country. Score. 4 pages. Hal Leonard - Digital #571930. Published by ...
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Guitar,Piano,Vocal,Voice - SKU: HX.1416064 By Merle Haggard. This edition: scorch. Country. Score. 4 pages. Hal Leonard - Digital #571930. Published by Hal Leonard - Digital (HX.1416064).
$4.99 ≈
4.66€
My Favorite Memory
My Favorite Memory
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Easy Piano
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Country
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Merle Haggard
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My Favorite Memory
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Hal Leonard - Digital
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SheetMusicPlus
Piano - SKU: HX.1120517 By Merle Haggard. This edition: scorch. E-Z Play Today. Country. Score. 4 pages. Hal Leonard - Digital #571930. Published by Hal...
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Piano - SKU: HX.1120517 By Merle Haggard. This edition: scorch. E-Z Play Today. Country. Score. 4 pages. Hal Leonard - Digital #571930. Published by Hal Leonard - Digital (HX.1120517). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99 ≈
2.79€
Pax Aeternam for tuba and piano
Pax Aeternam for tuba and piano
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Tuba and Piano
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ADVANCED
#
Contemporary
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Maria Thompson Corley
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Pax Aeternam for tuba and pian
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Maria Thompson Corley
#
SheetMusicPlus
Piano,Tuba - Level 5 - SKU: A0.1252810 Composed by Maria Thompson Corley. 21st Century. Score and part. 10 pages. Maria Thompson Corley #846603. Publish...
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Piano,Tuba - Level 5 - SKU: A0.1252810 Composed by Maria Thompson Corley. 21st Century. Score and part. 10 pages. Maria Thompson Corley #846603. Published by Maria Thompson Corley (A0.1252810). “Pax Aeternam” was written in memory of renowned composer Barbara York, a fellow Canadian whom I was blessed enough to meet in person through my interaction with Matt Brown. Though we connected many years into my collaborative piano career, Matt is the first tubist I ever worked with, and Barbara’s music was my favorite part of getting introduced to the tuba literature. I was thrilled to learn how much she appreciated my playing of her work.“How Beautiful” was written in memory of Matt’s son Eli, who had a congenital condition that took his life a few hours after he was born. This flawless piece of music, poignant yet never maudlin, provided the title for a recording Matt and I did of all of Barbara’s tuba output. It also threw down the gauntlet when Danny Rowland approached me, at Matt’s suggestion, about composing a piece. Danny mentioned loving “How Beautiful,” and intending to commission Barbara, who’d recently passed on. I’d never written for the tuba before, but felt absolutely no pressure. That’s a lie.Like “How Beautiful,” “Pax Aeternam” is in a major key; in my case, I wanted to evoke wistfulness rather than despair. Barbara’s path was full of suffering, and having lost a brother to prolonged illness, I’ve come to embrace the idea that death can be a sweet relief from pain. I tried to capture some of Barbara’s spirit, particularly in the middle section, and chose triple meter to give the outer sections a bit of “swing.” I don’t recall Barbara as a somber person, and I wanted to paint a portrait of someone who moved through life with a smile. I didn’t know her as well as many, but I always found her kind, generous, and unpretentious. I hope that this musical portrait does her justice.
$15.00 ≈
14.00€
Pax Aeternam for cello and piano
Pax Aeternam for cello and piano
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Cello, Piano
#
INTERMEDIATE
#
Maria Thompson Corley
#
Maria Thompson Corley
#
Pax Aeternam for cello and pia
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Maria Thompson Corley
#
SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1252822 By Maria Thompson Corley. By Maria Thompson Corley. Arranged by Maria Thompson Corley. 21st Century,Sacred. Scor...
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Cello,Piano - Level 3 - SKU: A0.1252822 By Maria Thompson Corley. By Maria Thompson Corley. Arranged by Maria Thompson Corley. 21st Century,Sacred. Score and part. 9 pages. Maria Thompson Corley #846622. Published by Maria Thompson Corley (A0.1252822). “Pax Aeternam” was written in memory of renowned composer Barbara York, a fellow Canadian whom I was blessed enough to meet in person through my interaction with Matt Brown. Though we connected many years into my collaborative piano career, Matt is the first tubist I ever worked with, and Barbara’s music was my favorite part of getting introduced to the tuba literature. I was thrilled to learn how much she appreciated my playing of her work.“How Beautiful” was written in memory of Matt’s son Eli, who had a congenital condition that took his life a few hours after he was born. This flawless piece of music, poignant yet never maudlin, provided the title for a recording Matt and I did of all of Barbara’s tuba output. It also threw down the gauntlet when Danny Rowland approached me, at Matt’s suggestion, about composing a piece. Danny mentioned loving “How Beautiful,” and intending to commission Barbara, who’d recently passed on. I’d never written for the tuba before, but felt absolutely no pressure. That’s a lie.Like “How Beautiful,” “Pax Aeternam” is in a major key; in my case, I wanted to evoke wistfulness rather than despair. Barbara’s path was full of suffering, and having lost a brother to prolonged illness, I’ve come to embrace the idea that death can be a sweet relief from pain. I tried to capture some of Barbara’s spirit, particularly in the middle section, and chose triple meter to give the outer sections a bit of “swing.” I don’t recall Barbara as a somber person, and I wanted to paint a portrait of someone who moved through life with a smile. I didn’t know her as well as many, but I always found her kind, generous, and unpretentious. I hope that this musical portrait does her justice.I created a cello transcription for a performance with Sara Male, my partner in Duo Chiaroscuro. This seemed appropriate, since “Still Waters Running Deep,” one of our signature pieces, is a transcription of the slow movement of Barbara’s bassoon sonata, created at our request by the composer.
$15.00 ≈
14.00€
"Six Short Stories" - for Woodwind Quintet (1996)
"Six Short Stories" - for Woodwind Quintet (1996)
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE/ADVANCED
#
Contemporary
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Lior Navok
#
Oboe
#
"Six Short Stories" - for Wood
#
Lior Navok Music
#
SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.976045 Composed by Lior Navok. 20th Century,Contemporary. Score and parts. 32 pages....
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.976045 Composed by Lior Navok. 20th Century,Contemporary. Score and parts. 32 pages. Lior Navok Music #4727437. Published by Lior Navok Music (A0.976045). SIX SHORT STORIES FOR WOODWIND QUINTET (1996)INSTRUMENTATION: Flute / Piccolo; Oboe; Clarinet; Bassoon; HornDURATION: 12 Minutes. PROGRAM NOTES: The composer writes about his work: The woodwind quintet is one of my favorite mediums: the individual personality of each musical instrument on one hand, and the homogeneity that can skilfully be achieved on the other hand, stimulated my imagination for a long time. The titles of the movements represent my own plot thoughts and associations behind each story: The First is a meeting of five friends willing to play together while one of them is being considerably late. The second is my association to a native ceremonial dance. The third, reminds me of a light breeze on a lazy summer night, while sitting on front of the porch. The fourth describes a person gazing at the fire flames, controlled like a marionette by the wind. The fifth is a sinking / floating memory, and last, a discussion about how a fugue should sound. Nevertheless, this is only my view of the music. I would like to invite the listeners to find their own association, and create their individual stories.MOVEMENTS: 1. The Meeting2. Native Dance3. Air4. Fire Dance5. Longing (Sinking and Floating Memory)6. 1+1=11 (Introduction and Fughetta)INFO: Item: Full ScoreEdition: 2nd Edition Copyright: Lior Navok Publisher: Lior Navok MusicPages: 32 Paper Size:DIN A4 / Letter
$16.00 ≈
14.93€
"Six Short Stories" - for Woodwind Quintet (1996) [Set of Parts]
"Six Short Stories" - for Woodwind Quintet (1996) [Set of Parts]
#
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Lior Navok
#
Oboe
#
"Six Short Stories" - for Wood
#
Lior Navok Music
#
SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.976044 Composed by Lior Navok. 20th Century,Contemporary. Score and parts. 75 pages....
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.976044 Composed by Lior Navok. 20th Century,Contemporary. Score and parts. 75 pages. Lior Navok Music #4727435. Published by Lior Navok Music (A0.976044). SIX SHORT STORIES FOR WOODWIND QUINTET (1996)INSTRUMENTATION: Flute / Piccolo; Oboe; Clarinet; Bassoon; HornDURATION: 12 Minutes. PROGRAM NOTES: The composer writes about his work: The woodwind quintet is one of my favorite mediums: the individual personality of each musical instrument on one hand, and the homogeneity that can skilfully be achieved on the other hand, stimulated my imagination for a long time. The titles of the movements represent my own plot thoughts and associations behind each story: The First is a meeting of five friends willing to play together while one of them is being considerably late. The second is my association to a native ceremonial dance. The third, reminds me of a light breeze on a lazy summer night, while sitting on front of the porch. The fourth describes a person gazing at the fire flames, controlled like a marionette by the wind. The fifth is a sinking / floating memory, and last, a discussion about how a fugue should sound. Nevertheless, this is only my view of the music. I would like to invite the listeners to find their own association, and create their individual stories.MOVEMENTS: 1. The Meeting2. Native Dance3. Air4. Fire Dance5. Longing (Sinking and Floating Memory)6. 1+1=11 (Introduction and Fughetta)INFO: Item: Set of PartsEdition: 2nd Edition Copyright: Lior Navok Publisher: Lior Navok MusicPages:75 Paper Size:DIN A4 / Letter
$18.00 ≈
16.79€
Holy Lord 1
Holy Lord 1
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Piano solo
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Sacred music
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Gospel/Spiritual
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THEMIS KOUTRAS
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Holy Lord 1
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THEMIS KOUTRAS
#
SheetMusicPlus
Piano - SKU: A0.1066705 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 241. THEMIS KOUTRAS #5032347. P...
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Piano - SKU: A0.1066705 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 241. THEMIS KOUTRAS #5032347. Published by THEMIS KOUTRAS (A0.1066705). This song is called holy lord it was in my darkest hour when I was attacked hit hard I had forgotten most if not all the holy bible I could only know there must be a GOD OUT THERE so tempted by satan he the holy spirit lead me to take a pen and paper to write so I did obey who I began to realize this must be GOD so after I wrote the song I played it worshiping and praising GOD as the song tells instantly after I sang it satan stopped tempting me instantly I was healed and my memory came back saying wait 1 moment was not this song 1st prophesied by JESUS CHRIST himself in the book of revelation I said lord how did you ever know even 2000 years before my time that I would write such a song? and it has become my favorite song since then that i wrote thanking GOD JEHOVAH HOLY TRINITY CREATOR OF LIFE for rescuing me from the things satan almost did to me and for this song and so so so on
$3.99 ≈
3.72€
Christmas Memories - One Christmas Eve #3 - from Christmas Memories Collection
Christmas Memories - One Christmas Eve #3 - from Christmas Memories Collection
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Piano, Vocal and Guitar
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EASY
#
Christmas
#
Connie Boss
#
Christmas Memories - One Chris
#
Connie Boss
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.801556 Composed by Connie Boss. Children,Christmas,Country,Folk. Score. 4 pages. Connie Boss #6140931. Publ...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.801556 Composed by Connie Boss. Children,Christmas,Country,Folk. Score. 4 pages. Connie Boss #6140931. Published by Connie Boss (A0.801556). I decided to make a collection of my favorite Christmas memories as a child and then as a parent. This is the 3rd song in the collection. It is for solo and piano. In every song, the refrain uses the same lyrics but has a different melody. There are 4 songs in the collection. It is about going for a drive one Christmas Eve when we saw a blinking light in the sky. We convinced ourselves it was Rudolph pulling Santa's sleigh. What a fun memory. cdboss@cvalley.net for any questions.
$5.00 ≈
4.67€
Christmas Memories - One Christmas Eve #3 - duet - from Christmas Memories Collection
Christmas Memories - One Christmas Eve #3 - duet - from Christmas Memories Collection
#
Piano, Vocal and Guitar
#
EASY
#
Christmas
#
Connie Boss
#
Christmas Memories - One Chris
#
Connie Boss
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.801560 Composed by Connie Boss. Children,Christmas,Folk,Pop. Score. 6 pages. Connie Boss #6184145. Publishe...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.801560 Composed by Connie Boss. Children,Christmas,Folk,Pop. Score. 6 pages. Connie Boss #6184145. Published by Connie Boss (A0.801560). I decided to make a collection of my favorite Christmas memories as a child and then as a parent. This is the 3rd song in the collection. It is for duet and piano. In every song, the refrain uses the same lyrics but has a different melody. There are 4 songs in the collection. It is about going for a drive one Christmas Eve when we saw a blinking light in the sky. We convinced ourselves it was Rudolph pulling Santa's sleigh. What a fun memory. cdboss@cvalley.net for any questions.
$5.00 ≈
4.67€
We Will Glorify
We Will Glorify
#
Choral SATB
#
INTERMEDIATE
#
Twila Paris
#
Brenda Portman
#
We Will Glorify
#
Brenda Portman
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1094503 Composed by Twila Paris. Arranged by Brenda Portman. Classical,Contemporary,Praise & Worship,Sacred,Trad...
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Choral Choir (SATB) - Level 3 - SKU: A0.1094503 Composed by Twila Paris. Arranged by Brenda Portman. Classical,Contemporary,Praise & Worship,Sacred,Traditional. Octavo. 9 pages. Brenda Portman #627947. Published by Brenda Portman (A0.1094503). Composed in memory of Karen Hartje, this elegant piece combines a hymn text (O My Savior, Glorified!) with one of Karen's favorite contemporary songs, We Will Glorify. For SATB choir with organ, and B-flat trumpet or clarinet solo.
$2.00 ≈
1.87€
Higher Ground Medley
Higher Ground Medley
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Piano solo
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INTERMEDIATE/ADVANCED
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Sacred music
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Annie L
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Tanya L
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Higher Ground Medley
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Tanya Vance
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.995884 Composed by Annie L. Coghill, Augustus M. Toplady, Charles C. Converse, Charles H. Gabriel, Erastus Johnson, Johns...
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Piano Solo - Level 4 - SKU: A0.995884 Composed by Annie L. Coghill, Augustus M. Toplady, Charles C. Converse, Charles H. Gabriel, Erastus Johnson, Johnson Oatman Jr., Joseph M. Scriven, Thomas Hastings, William G. Fischer, and and Philip Bliss. Arranged by Tanya L. Vance. Sacred. Score. 6 pages. Tanya Vance #5733029. Published by Tanya Vance (A0.995884). This is a medium level piano arrangement of some classic hymns: Higher Ground, Rock of Ages, Work for the Night is Coming, What a Friend We Have in Jesus, The Rock that is Higher than I, and Jesus Loves Even Me. These were my grandfather's favorite hymns. I dedicated this arrangement in his memory. He taught me all of these hymns when I was a young girl, learning to play piano. This makes a nice piece to play as a prelude to a church service.
$4.25 ≈
3.97€
Irish National Anthem (Unofficial) for String Orchestra
Irish National Anthem (Unofficial) for String Orchestra
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String Orchestra
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INTERMEDIATE
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Patriotic
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trad
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Keith Terrett
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Irish National Anthem
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Music for all Occasions
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SheetMusicPlus
String Orchestra - Intermediate - Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Pub...
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String Orchestra - Intermediate - Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.
A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).
"Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant?s Causeway.
On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.
There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.
The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly?s intent.
Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can?t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".
Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.
In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board?s History of Derry.)
The linguistic outcome of all this today is that, if you think that King James?s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it?s confusing for kings to be going around changing the names of places all the time for no good reason.
You can find plenty of discussion about the political side of the question elsewhere, but here let?s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn?t have a title. What do we call it?
If you were a proper Victorian, there?s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill?s theory that Australia was inhabited by "convicts and Irishmen".)
My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:
Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP?s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger?s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there?s another variant on the name for it. It doesn?t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger?s original comments.
The references to Londonderry Air that I?ve seen don?t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby?s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn?t come into the war in 1940.
Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
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